The Innocents Serie Romeo und Julia tauschen ihre Körper
Das Liebespaar June und Harry reißen von Zuhause aus, um zusammensein zu können. Als June übernatürliche Fähigkeiten entwickelt, werden gewaltige Mächte auf das Paar aufmerksam und versuchen, die beiden von einander zu trennen. The Innocents ist eine britische Fernsehserie, die am August auf Netflix veröffentlicht wurde. Inhaltsverzeichnis. 1 Handlung; 2 Besetzung und. In der britischen Netflix-Serie The Innocents reißen zwei Jugendliche aus ihrem strengen Elternhaus aus, doch die anschließende ungewöhnliche Reise der be. The Innocents ist eine Serie von Simon Duric und Simon Duric mit Sorcha Groundsell (June), Percelle Ascott (Harry). Finde hier alle News und Videos der Serie. The Innocents ist eine vielschichtige Coming-of-Age-Serie, die nicht nur junge Erwachsene begeistern kann. Unsere Kritik zur kompletten 1.
Besetzung der 1. Staffel der Serie The Innocents. Schauspieler, Rollenname. Guy Pearce, Halvorson. Percelle Ascott, Harry. Sorcha. Überzeugende Jungdarsteller in neuer Netflix-Serie – TV-Kritik von Jana Bärenwaldt. Starttermine für Staffel zwei von „GLOW“ und Mystery-Serie „The Innocents“ von Netflix. True-Crime-Serien „Evil Genius“ und „The Staircase“ im Sommer.
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The Innocents Serie VideoThe Innocents: The Beginning - Official Trailer #1 [HD] - Netflix
The Innocents Serie - Alle Staffeln der Serie The InnocentsJetzt streamen:. Simon Duric, Hania Elkington. Das sagen die Nutzer zu The Innocents. Er verspricht June eine Heilmöglichkeit und sie mit ihrer Mutter wieder zu vereinen, welche vor drei Jahren ihre Familie im Stich gelassen hat. Halvorson read article Partnerin Runa im Therapieraum in Norwegen. Alf zweifelt allmählich an Steinars Absichten. Die Teenager June und Harry laufen gemeinsam von zuhause weg. Sport in Zahlen. Düstere Charaktere: Dr. Jetzt streamen:. Home Serien The Innocents. Der Anfang von uns The Katakuri Op of Bundesliga Heute Im. Laura Birn. Trond Read more. Diese Serie ist …. Zum Trailer. Sport in Zahlen. Das ist für ihren Freund Harry ziemlich bedrohlich. Alf zweifelt allmählich an Steinars Absichten. Nadine Marshall. Netflix unterstützt die Prinzipien der Digital Advertising Alliance. Weitere Details. Es versteht sich, dass ihnen die Häscher immer dicht auf click to see more Fersen bleiben. Über die F.
Archibald's original screenplay for The Innocents was based on the premise that the paranormal events depicted were legitimate.
Displeased with Archibald's take on the material, director Jack Clayton appointed American writer Truman Capote to rework the script.
Capote's rewrites incorporated psychological themes, resulting in a final work that suggests other alternatives to the plot.
Filming took place partly on location at the Gothic mansion of Sheffield Park in Sussex, with additional shoots occurring at Shepperton Studios in Surrey.
Shot in CinemaScope , The Innocents incorporated bold minimal lighting as well as deep focus , employed by cinematographer Freddie Francis to achieve a distinctive—and sometimes claustrophobic—atmosphere.
The film also pioneered the use of synthesised electronic sound created by Daphne Oram. But because Auric was not available due to health problems, Clayton had to turn to W.
Lambert Williamson. The Innocents received international distribution from the American film studio 20th Century Fox , and received its London premiere on 24 November The psychological underpinnings of the film's screenplay have resulted in it being the subject of numerous critical and scholarly essays, particularly in the area of film theory.
Of the various film adaptations of James's work, The Innocents has received the most critical debate.
It was selected by The Guardian as one of the 25 best horror films ever made. Miss Giddens applies for her first job as a governess.
The wealthy bachelor interviewing her is unconcerned with her lack of experience. He values his freedom to travel and socialise and unabashedly confesses that he has "no room, mentally or emotionally" for his niece and nephew.
They were orphaned and left in his care as infants, and he keeps them at Bly, his large country estate. The previous governess, Mary Jessel, had died suddenly less than a year ago.
All he cares about is that Miss Giddens accepts full responsibility for the children, never troubling him with whatever problems may arise.
At Bly, Miss Giddens is instantly taken with Flora, the niece. She also forges a friendship with Mrs. Grose, the kindly housekeeper.
The boy, Miles, is away at boarding school, but soon returns to Bly after being expelled from school for being a "bad influence" on his peers.
Grose says she cannot imagine Miles misbehaving, and when Miss Giddens meets the boy herself, she too thinks his teachers must have exaggerated.
He seems charming and mature — though perhaps too mature, with flirtatious flattery toward his governess. Miss Giddens soon grows disturbed by the children's occasional odd behaviours and secretiveness, and is bothered by disembodied voices and apparitions of a man and woman she witnesses in the house, whom Mrs.
Grose identifies, from their descriptions, as Miss Jessel and Peter Quint, another deceased employee of the children's uncle.
Grose also reluctantly reveals that the two were in a relationship prior to their deaths. Miss Giddens concludes that the ghosts of Quint and Miss Jessel possess the bodies of the children so they can physically continue their relationship.
She is determined to rescue them from this possession. One night, while left alone with Miles, Miss Giddens presses him to talk about the ghosts, and about why he was expelled from school.
Initially, Miles is glib and evasive, but he eventually admits that he frightened the other boys with violence and vulgar language.
Miss Giddens enjoins him to say who taught him this language and behaviour. Miles suddenly begins yelling obscene insults and laughing maniacally, and Quint's face appears in the window behind him, joining in the boy's laughter.
Miles then runs outside; Miss Giddens follows, begging him to "say his name. He finally shouts Quint's name, and Quint appears.
Miles grows still and falls to the ground. Miss Giddens cradles him and assures him that he is free. She then realises that Miles is dead.
Sobbing, she leans over him and kisses him on the lips. The Innocents has received attention from academics and specialists in film theory , beginning with the literary theorist Edmund Wilson , who wrote extensively on the film's source novella, insisting that the supernatural phenomena were in fact the product of Miss Giddens' own sexual repression.
Film scholar David J. Hogan reiterated the film's underlying themes of sexual repression becoming the focus of supernatural activity, and compared elements of the film to Robert Wise 's The Haunting , based on The Haunting of Hill House by Shirley Jackson.
In the book Fifty Classic British Films, A Pictorial Record , film writer Anthony Slide noted: "Through the use of shadows, oblique camera angles, and an atmospheric soundtrack, Jack Clayton not only captured the horror of James's story, but also its deeper sadness—the children's isolation from the real world, the governess' problematic sexuality, and the curiously pitiful nature of the former governess, Miss Jessel.
The original screenplay for The Innocents was adapted by playwright William Archibald from his play of the same name , which itself was based on Henry James's novella The Turn of the Screw.
Director Jack Clayton envisioned a more ambiguous conclusion for the film: "My original interest in the story was in the fact that one could tell it from a completely different point of view," he said.
Now this was long before I read the notes on Henry James and found that somebody else also imagines that Henry James wrote it this way—sort of almost Freudian hallucinations the governess had.
Clayton was ultimately unhappy with Archibald's screenplay due to their conflicting interpretations of the material, and asked American writer Truman Capote whom he had met while working on Beat the Devil  to rework Archibald's script.
Clayton saw the house as one of the characters in the film and used it as such to highlight certain scenes. Frayling also notes a Southern Gothic feel present in Capote's script alterations — particularly with the governess's repressed erotic sensibility counterpointed by shots of lush and decaying plants and rapacious insect life.
Director Clayton, though, chose to downplay this aspect in the finished film, to preserve the ambiguity between the ghost story and Freudian element.
An unreliable narrator was originally intended to feature in the narrative and the film was to open with a funeral scene. According to film scholar Frayling, the opening scene creates a sense of intimacy and, perhaps, trust that the governess should be trusted, but the use of darkness surrounding her suggests that it is possible that the story that follows could be nothing more than in her own mind — isolated and creating its own supernatural world.
Deborah Kerr was cast in the lead role of Miss Giddens at the counsel of the film's studio and distributor, 20th Century Fox , despite the fact that the governess character in James's original work was twenty years old Kerr was forty at the time.
For the roles of the children, Clayton cast eleven-year-old Pamela Franklin in her film debut as Flora,  and Martin Stephens as her brother, Miles; Stephens had featured in the Metro-Goldwyn-Mayer horror film Village of the Damned This episode also featured behind-the-scenes anecdotes provided by Susie Orbach , Christopher Frayling and Jeremy Dyson.
During the interview, Wyngarde revealed that Alec Guinness and Cary Grant had expressed a strong interest in playing the role of Peter Quint.
Jack Clayton turned them down. Clayton wanted the film to be quite different from the Hammer horror films of the period, and employed a number of cinematic devices to achieve this end, including using genuinely eerie sound effects and moody, stylised lighting.
For the first 45 seconds of the film, the screen is black and singing is heard, and only after this do the credits appear. Clayton, who had previously made films associated with the British New Wave , took on the project specifically to avoid being typecast as a New Wave director, and to work in a different genre.
Francis won the Oscar for Best Cinematographer for his work on the earlier film. Francis used deep focus and narrowly aimed the lighting towards the centre of the screen.
During principal photography, Clayton and editor Jim Clark —whom he had hired on the recommendation of his colleague Jimmy Ware, editor of Clayton's first feature, Room At The Top —would meet each evening and view the footage shot that day, assembling daily rough cuts as they progressed; this allowed Clayton to make adjustments and shoot pick-ups along the way, giving him closer supervision during the filming process.
In his memoir Dream Repairman , Jim Clark recalled his work as editor on The Innocents as "a true collaboration" and that he and Clayton became close friends and regular drinking partners during production, since both were single at the time, and lived near each other.
He described The Innocents as "a real pleasure to edit, since Jack had a very certain approach to his material, having worked out everything beforehand.
He was a perfectionist who left nothing to chance, and was very precise in his approach to work. Inspired by George Stevens' A Place in the Sun , Clark crafted numerous dissolves and superimpositions, which he also described as "mini montages", in which he edited the cross-fades between certain scenes to run four or five times longer than the standard "mix", and often blended in a third, near-subliminal image; film scholar Anthony Slide would later refer to the film's use of dissolves as "obsessive".
Clayton maintained close supervision over the editing of the film, specifically making sure that no single scene ran too long; because of the film's small cast, Clayton worried that "if [the film] sags, we've got no other characters to go to".
Clark recalled that on the evening of the pre-release critics' screening, Clayton went into a rage because, through no fault of her own, his personal assistant Jeanie Sims was late in phoning him with the critics' reactions.
When Sims called Clark to Clayton's office the next day, he discovered that Clayton had completely smashed a large plaster scale model of Bly House, and was refusing to speak to either of them.
In spite of this rift, Clark and Clayton gradually repaired their friendship, and Clayton subsequently invited Clark to edit his next film, The Pumpkin Eater.
The original score for The Innocents was composed by Georges Auric , who had scored several films Clayton had been involved with in the past, such as Moulin Rouge and The Bespoke Overcoat These "spectral massed sine tones " were incorporated into the film's sound design, though Oram was not credited for them.
In the United Kingdom, the original classification in given by the British Board of Film Censors now the British Board of Film Classification or BBFC had been the "X" rating, which meant that no person under the age of 16 years would be allowed into the cinema to see it.
Bosley Crowther wrote an unfavourable review of the film in The New York Times when the film was first shown in New York City in December "But we fear that old hands long familiar with the traffic and tricks of horror films will feel a bit bored by this screen version of Henry James' famous tale, The Turn of the Screw , so mild and ingenuous it is alongside others of the genre.
And especially do we fear they will be let down by the lucent performance of Deborah Kerr as the supposedly morbid young woman who is the focal figure in the tale".
A review published in Time magazine praised Kerr's performance and the film's "dangerous, intelligent darkness",  but criticized the screenplay, suggesting that Archibald and Capote's script "unhappily press[es] hard, much harder than James did, for the psychiatric interpretation.
The Innocents is a teenage supernatural love story, which revolves around two teenagers, Harry and June, who run away from their repressive family to be together.
After this, they are thrown into a journey of self-discovery, due to the secrets kept by their parents, which test their love.
Besides this, their respective extraordinary gifts end up unleashing powerful forces, who intend on dividing them forever.
Written by Fernanda Nemr. I have only watched the first couple of episodes but so far I'm gripped. The actors are all doing a great job, Guy Pearce has an amazing presence and the Nordic noir style suits the brooding darkness of northern England perfectly.
Sadly after watching another couple of episodes I lost interest though. Sign In. Keep track of everything you watch; tell your friends.
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Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Episode Guide. When teenagers Harry and June run away from their repressive families to be together, they're derailed by an extraordinary discovery - June's ability to shape-shift.
A scientist tries to capture her and discover the key to her power. Creators: Hania Elkington , Simon Duric. Added to Watchlist. Top-Rated Episodes S1.
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Episodes Seasons. Edit Cast Series cast summary: Sorcha Groundsell June 8 episodes, Percelle Ascott Harry 8 episodes, Guy Pearce Steinar 8 episodes, Laura Birn Elena 8 episodes, Sam Hazeldine John 8 episodes, Arthur Hughes Ryan 8 episodes, Nadine Marshall Christine 8 episodes, Lise Risom Olsen Runa 8 episodes, Philip Wright Lewis Polk 7 episodes, Trond Fausa Alf 4 episodes, Abigail Hardingham Kam 4 episodes, Chris Abe Police Officer 3 episodes, Olivia Marie Fearn Lauren 3 episodes, Scott Haining Junior Police Officer 3 episodes, Andrew Koji Andrew 3 episodes, Ben Rose Welly 3 episodes, Alex Williams Az 3 episodes, Jason Riddington Learn more More Like This.
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ManiacRomeo und Julia tauschen Körper: Netflix-Serie „The Innocents“ mit Sorcha Groundsell, Percelle Ascott, von Hania Elkington und Simon Duric. Starttermine für Staffel zwei von „GLOW“ und Mystery-Serie „The Innocents“ von Netflix. True-Crime-Serien „Evil Genius“ und „The Staircase“ im Sommer. Überzeugende Jungdarsteller in neuer Netflix-Serie – TV-Kritik von Jana Bärenwaldt. Von der britischen Serie The Innocents wurden bislang 8 Episoden produziert. Die britische Fernsehserie kommt auf insgesamt eine Staffel. Die letzte Episode. Besetzung der 1. Staffel der Serie The Innocents. Schauspieler, Rollenname. Guy Pearce, Halvorson. Percelle Ascott, Harry. Sorcha. Between Horror, Fear, and See more Blu-ray documentary. Things do not go as planned. This episode also featured behind-the-scenes anecdotes provided by Susie OrbachChristopher Frayling and Jeremy Dyson. Company Credits. The Guardian. Tom Wilson 4 episodes, Films directed by Jack Clayton. Official Click. Andrew Schweden Belgien episodes, Ben Rose Keeping Faith TV Series